I make music as Colors Conflicted.
The recurring target sits somewhere around proto-nu-metal, rap rock, industrial hip-hop, punk with metal elements, and swirling psychedelic electronic texture. I work with guitar, bass, FL Studio, Arturia instruments, and software synthesis.
Music is not separate from the research. It is where questions about prediction, salience, temporal expectation, representation, learned structure, and intensity become impossible to ignore. A model can assign probability to the next event; a listener can feel that one transition matters more than a hundred others. That gap is interesting.
No public release links are listed here yet.